The Coldest War (Milkweed Triptych 02) by Ian Tregillis
Author:Ian Tregillis
Language: eng
Format: mobi
Publisher: Macmillan
Published: 2012-07-17T06:00:00+00:00
eight
28 May 1963
Croydon, London, England
Klaus knew he was veering into foolishness. Refusing to interact with his sister? Pretending she didnât exist? They lived in the same space; rode in the same vehicles. It was pointless but, more frankly, childish. And so it would be while the British practically treated them as a single entity. Heâd never be free of Gretel on his own.
Thus had the seed of an idea taken root while he sat in the foyer of the North Atlantic Cross-Cultural Foundation, waiting for Will and Marsh to finish their argument. It sprouted during the return drive across London. And by the time they returned to the safe house, it had borne fruit.
Everything hinged on Marshâs plan to use Will as bait. If it failed, Klausâs chance at a normal life would die on the vine. But if the plan succeeded with his help ⦠Well, then it depended on whether or not Marsh was a man of his word.
Klaus tapped Marsh on the arm as everybody emerged from the Morris. âMay I speak with you? Privately?â
He followed Marsh through the house to the garden, leaving Pethick to deal with Gretel. An empty planter stood where Marsh had identified the diseased maple. It had been transplanted, Klaus saw, into the south corner of the garden, in a niche where the walls met. He wondered if Marsh had done that.
Once they were outside, with the rear door firmly closed behind them, Marsh crossed his arms. âWell?â
âThe plan youâve hatched. You intend to trap the assassin by using a pixie.â
Marsh hesitated, just long enough to signify his surprise. He recovered, shrugging noncommittally. âPerhaps.â
He doesnât trust me. Nor do I trust him entirely.
âTheyâre aware of that vulnerability,â said Klaus. âThe Soviets. They used it against us when they occupied the Reichsbehörde. Itâs how they captured us.â He pointed at the house, a vague gesture to imply âusâ meant him and his sister.
âWe know that. What are you saying?â
âWhen you captured my sister during the war, you took her battery, yes? Studied it? And from that you derived a design for the pixies.â
Marsh frowned. âIs that why she came here? Why she let herself be captured? To give us a battery?â
Klaus had never considered this, but it was plausible. He reappraised Marsh; the man seemed to have given much thought to the complexity of Gretelâs machinations. It bordered on an obsession.
âI donât know. Butâ¦â Klaus trailed off, shaking his head.
â⦠It sounds like something she might do?â
âYes. The purpose of her trip to England was never clear to the rest of us. It served no ⦠strategic purpose.â
âHmm.â Marsh held his frown, contemplating this. Then he said, âI derailed you. What point were you trying to make regarding the pixies?â
Klaus said, âI understand how the Soviet engineers think. They have anticipated such countermeasures. They haveââ He paused, grasping for the right word. ââreinforced the battery and its circuitry.â He touched his scalp, where the wires emerged.
âDamn,â Marsh whispered. He ran a hand over his face.
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